Shoot new angles with kite photography

Scott got permission form the National Park Service to photograph a harbor swim race from Liberty Island. Getting the proper clearance was required since the legal flying limit for large kites is usually 500 feet. Higher than that and you are entering into regulated airspace. This picture was taken in the morning, immediately after the swim race and before it began raining.

To lift the 7 oz camera, Scott used the powerful Dopero kite from G-Kites ($199). Before attaching valuable camera equipment, a kite needs to airborne and steady. If it's only flying at 50 feet, the camera won't be still enough to capture photos and risks crashing down to the ground. Scott flew his kite up to 200 feet where the wind was significantly steadier. Then he attached his camera set-up to the line and sent his kite up even further, to 600 feet, with the camera dangling below at around 400 feet.

Kite photographers use something called a Picavet to connect their camera rigs to the kite line. A Picavet is a small cross with pulleys that is suspended from the line like a hammock. The two points where the Picavet strings connect to the kite line are fixed and don't slide. Scott purchased his from Brooxes.com.

Below the Picavet, Scott's camera was secured inside a metal cradle connected to a GS-1 radio control servo with gyro stabilization from Dunehaven Systems. If the tilt of the cradle changed, the motor compensated to keep the camera pointing in the same direction.

Finally, there was a radio receiver attached to the cradle so that the set-up could be controlled from the ground. Scott used a DuneCam remote control to change the angle of the camera, to check small jpg previews transmitted from the camera, and to trigger the shutter when he was satisfied with the shot.